SOLO AT TASCA DAS ARTES
︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎
feedback - organic objects - drum

Organized by João Castro/Nariz Entupido
Second act by KAROLINE LEBLANC + FRED LONBERG-HOLM + PAULO J FERREIRA LOPES

 

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^{Photo @Nuno Martins}
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Lisboa, 2025

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SONOSCOPIA + SPLITTER ORCHESTER

︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎

Splitter Orchester - Site Specific Concert Series.
Collaboration between Sonoscopia and Splitter, ending with a concert in Kleiner Wasserspeicher, Berlin - 11th of October.

^{Photo@Uta Neumann}

Sonoscopia is:
SONAR SYSTEM
Gustavo Costa, Tiago Angelo, Henrique Fernandes, Alberto Lopes, João Ricardo, Vicente Mateus.

Splitter Orchester is:
Burkhard Beins | percussion, Roy Carroll | electronics, Anat Cohavi | clarinet, Axel Dörner | trumpet, Sabine Ercklentz | trumpet and electronics, Kai Fagaschinski | clarinet, Emilio Gordoa | percussion, Robin Hayward | tuba, Steve Heather | percussion, Chris Heenan | contra bass clarinet, Mike Majkowski | double bass, Matthias Müller | trombone, Andrea Neumann | inside piano, Andrea Parkins | electronics and accordion, Michael Thieke | clarinet, Sabine Vogel | flutes, Biliana Voutchkova | violin, Marta Zapparoli | tape machines and antennas.


Supported by the German Capitol Cultural Fund

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Berlin, 2025

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+ SIMON WHETHAM

︎︎︎︎︎︎︎︎︎︎︎

Working with Simon from 29th of November until 7th of December. Played together at Sonoscopia (Porto) and Safra/ Nariz Entupido (Lisboa).

Vicente plays Bombo de Lavacolhos + Feedback + Objects | Simon plays malfunctionig modified eletronics

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Portugal, 2025

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DEPOIMENTOS DO FUTURO - Edition

︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎

Investigations on Portuguese Underground Hauntology - 12” album compilation of 38 one-minute tracks and three short texts by various artists. It’s a puzzle, and like a puzzle the relationship of each piece to the adjacent pieces are as important as the individual pieces that compose it or the body that they all form together In the end, it's a system of relationships; aesthetic, ethical, political, friendship, conspiracy, resistance, and struggle relationships.

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Russian Library, 2025

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SOLO AT CONCERTS DISPERSÉS 2025

︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎

hands - organic objects - drum

Recorded by André Silva
Photography by Pali Meursault

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Le Lot (France), 2025

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COPPER SOUNDS + SONOSCOPIA

︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎

^{Copper Sounds - Turntables, electronics and other self-made instruments/mechanisms
Gustavo Costa ( Sonoscopia) - Acoustic Laptop and other objects
Henrique Fernandes ( Sonoscopia) - radio wave interferences, strings, motors, and other objects
Vicente Mateus (Sonoscopia) - Snare and Bass drum (Bombo de Lavacolhos), Feedback and other objects.}

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Porto, 2025

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SOLO AT HOTELIER
︎︎︎︎︎︎︎︎︎︎

Drums and controlled feedback

Recorded live January 8th at Hotelier

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Porto,  2025

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 + ZÉ MALDITO

︎︎︎︎︎︎︎︎

live performance at SMUP - SUNSET NOISE

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Parede, 2024

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OLMO < 2024
︎︎︎︎︎︎︎

(w/ André Silva) is a project that tries to find dialogues in the spaces between sound and images, nature and human activity.
Although they have been collaborating since 2018 through publications, concerts, residencies and other forms of sharing, their first performances as OLMO were in 2021 at Cosmos Campolide (Lisbon) and Casa da Imagem (Porto), where they proposed a dedicated listening session, with resonances and field recordings from the heart of Serra da Estrela.  In 2022 they where invitated by Galeria do Sol for a concert at CCOP (Porto), and in 2023 played (excert in video on the right) at Bienal da Maia.
Recently, they have been working about connection and distance, finding different ways to collaborate, such as radio and sound letters.

MORE INFO

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Portugal, 2020 > 2024

SOLO AT SONOSCOPIA

︎︎︎︎︎︎︎︎︎︎︎︎

feedback - organic objects - drum

Recorded at Sonoscopia in the concert series Microvolumes, 24th October

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Porto, 2025

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+ ANTÓNIO FEITEIRA 

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SOLO ANTÓNIO FEITEIRA | Performing the Heimlich on an Ouroboros - edition

Played drums & tubular bells in
“Synthesized Chronos Turned Organless Aion”.

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Eastern Nurseries, 2025

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+ ZÉ MALDITO

︎︎︎︎︎︎︎︎

live performances at Atelier Bombarda + ZDB.

@MarioMar


@Laura Martins






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Lisboa, 2024

SOPROS E OBJECTOS PERCUSSIVOS

︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎

Field composition.
Sea winds + objects, gongs, drum skins.
January 2024, Porto

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Porto, 2024

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OLMO | CD + Book + Poster
︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎

This edition brings together sounds and images collected in the center of Portugal, between Carapita, Valhelhas and Lavacolhos, and during an artistic residency organized by Luzlinar Cultural Association from the 9th to the 23rd of July 2021.

 + André Silva

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Guarda, 2023

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+ ZÉ MALDITO
︎︎︎︎︎︎︎︎
Stereo recording of a joint exhibition and performance by Zé Maldito and Vicente Mateus at Casa Bernardo, Caldas da Rainha, June 12, 2018.

Vicente drums and percussion, Zé plays computer

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Caldas da Rainha, 2018

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COMPRESSED DRUM SOLO
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Compressed drums / Solo edit
Recorded at Sonoscopia.

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Porto, 2024

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IGNAZ SCHICK + SONOSCOPIA
︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎

Recorded and mixed at Sonoscopia May 2022, released in May 2023.

^{Gustavo Costa, drums and percussion
Ignaz Schick, electronics, turntables and Baritone Saxophone
Henrique Fernandes, acoustic laptop and doublebass
Vicente Mateus, drums and feedback
João Ricardo, electronics}

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Porto, 2023